Big Thief

Two Hands

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  • 71豆幸运28预测软件pc蛋蛋幸运28余数时时彩票计划美国7月制造业PMI不及预期 美元指数从2个月高位回落

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      “當然不會只有這一點,去病,阿襄,阿敢,阿寧的功勞還沒著落呢,我怎麼可能放手?”   霍去病也沒有理睬匈奴人,背著手對雲瑯道︰“來的人少了些。”71豆幸运28预测软件   多少名將沒有死在沙場上,而是死在同伴的刀光劍影下。pc蛋蛋幸运28余数   “曲長,這位司馬什麼來頭?跟前些天經過這里的那支全甲冑騎兵是不是一伙的?”   身體看起來單薄一些,卻遒勁有力,一個人就把一盤兩百斤重的鐵鏈子拽的嘩嘩作響。时时彩票计划   “噢!”霍去病隨意答應一聲,就繼續吃飯,從昨日到今天,他雖然看著鎮定,實際上,一顆心還是提到了嗓子眼上。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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