Big Thief

Two Hands

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  • 71豆幸运28挂机稳赚彩票计划群赚钱套路pk10彩票计划软件扣非业绩狂跌74% TCL重组原来是个陷阱


      雲瑯沉默片刻道︰“貴人是說我大漢的權力體系要改變了?”   雲瑯現在付出的代價就是他真正參與大漢國朝政之後得到的第一個教訓。71豆幸运28挂机稳赚   隋越听皇帝提到了阿嬌,額頭上的汗水一下子就出來了,小聲道︰“陛下,可不敢讓阿嬌貴人知曉是奴婢出的主意啊。”彩票计划群赚钱套路   霍去病道︰“既然公孫敖說小稚羞辱他,問問小稚不就清楚了嗎?”   大公無私這種事,劉徹是從來不相信的。pk10彩票计划软件   算盤,賬簿,這東西在大漢早就不新鮮了,雲氏早就有了,並且用的是雲氏的新式記賬法。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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