Big Thief

Two Hands

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  • 71豆幸运28怎么赢彩票计划神器pc蛋蛋幸运28 软件中泛控股融资协议展期至今年11月8日

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      這一次司馬談要酒不是為了喝,而是用酒來清洗被毆打的紅腫一片的脊背,據說,這樣做能迅速的消腫。   長平親昵的趴在衛青的膝蓋上嬌笑道︰“男孩子就該夫君這樣的英雄出馬,你看看那個混賬小子,被我打得那麼慘雖然在求饒,卻口不應心的。您就說了一句話,那家伙眼淚都要下來了。”71豆幸运28怎么赢   不知道她要干什麼,還以為她看上自己了,不由得大驚!彩票计划神器   到了吃飯的時間,雲瑯的飯食還算不錯,有肉,有酒,有剛剛在大漢國興盛起來的面餅,這應該是不錯的優待了。   雲瑯怒道︰“不知道這人能否用錢買?我想買回去,天天當球踢!”pc蛋蛋幸运28 软件   “溫故而知新!” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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