Big Thief

Two Hands

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  • 24趣吧幸运28预测软件赛车计划2好玩吗手机彩票计划软件美元指数持续拉升 人民币中间价报6.8818下调59点


      雲瑯走在回家的路上,嘴角上翹的厲害,阿嬌跟大長秋都如此擔心他會勾引劉徹——這說明,劉徹就要來了。24趣吧幸运28预测软件   劉徹也跟著笑了,隨意道︰“胡說八道!”赛车计划2好玩吗   不僅僅如此,羽林軍中的傷患也被公孫敖一股腦的給送過來了,百十個傷患,躺在雲家的飯堂里,非常的壯觀。   周鴻也愣了一下道︰“好,明日就讓家人去拉錢。”手机彩票计划软件   這是雲瑯在大漢國,遇到的第一個,也是唯一一個有一副好心腸的人。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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