Big Thief

Two Hands

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  • 驾驶俱乐部和赛车计划彩票计划公式赚钱是真的吗赛车计划网页版人大常委会法工委:推进外商投资法顺利实施(实录)


    第六十二章 天不罰,我罰!   宋喬輕笑一聲,吃了一口糖仁核桃,就再也沒有停下筷子,跟雲瑯預料的一樣,宋喬更喜歡甜食。驾驶俱乐部和赛车计划   “你傻可以,兩個孩子可不能被你教傻了,等他們過了總角之年,可以離開你這個母親了,就把他們送到莊園里去。”彩票计划公式赚钱是真的吗   “咦?你們去過?這麼說長沙王快完蛋了?”   雲瑯那時候熱血未冷,極度不齒張翁的為人,在幫卓姬逃脫大難之後,就很想坑一下這個張翁,順便填補一下他的窮坑。赛车计划网页版   張翁笑吟吟的道︰“冷香丸是一種什麼藥?” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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