Big Thief

Two Hands

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  • 赛车计划什么时候出pc蛋幸运28尾数算法赛车计划中文版下载商务部:中美磋商中方三个核心关切问题须得到解决

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      褚狼拍拍腦袋道︰“其中一個蒙面醉漢的面巾脫落,疑似平陽侯曹襄,他大喊大叫,說誰敢動他一下,他舅舅會砍掉那人的腦袋。”   李陵怵然一驚,抬頭再看雲瑯的時候,卻發現他臉上笑吟吟的,似乎剛才那些無情的話語並非出自他之口。赛车计划什么时候出   “可是,師傅您以前沒打算去迎接司馬大將軍啊。”pc蛋幸运28尾数算法   雲瑯在這一點上還是很原諒大漢人的。   “我兒子在這方面沒問題。”曹襄信誓旦旦。赛车计划中文版下载   看過火藥爆炸場面的霍去病搖搖頭道︰“還是小心為上,火藥一旦炸開,連個後悔的余地都沒有。” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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