Big Thief

Two Hands

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  • 河北快3遗漏河北快3所有号码遗漏河北快3技巧之一替数定和值华西证券研究所招兵买马 中小券商寻求弯道超车


      酒店服務員上前,插入桌子與我之間,幫助尋找。過一會兒,她舉起一個紅包︰“是不是這個?”   我記起來,臥室梳妝台旁邊的立櫃上,是安放有一只小保險櫃,那是酒店給配備的,每間房都有。河北快3遗漏   我笑著說,回身在房間里轉悠,打量四周。藍波怒氣沖沖叫嚷,你不信我?河北快3所有号码遗漏   藍波和寧嘉是一對小混混,平時沒什麼正經職業,到處騙吃騙喝,偷雞摸狗。   直至她腳步聲走遠,閻先生揮筆一點,手中皮囊上那雙眼如吸入了生命般靈動了起來。河北快3技巧之一替数定和值 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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