Big Thief

Two Hands

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  • 河北快3开奖结果查询福利彩票计划书pc蛋蛋幸运28全包挂机券商探索区块链等应用 金融科技投入持续加码


      褚狼繼續搖頭,見雲瑯指向了他的那些伙伴,他連忙道︰“他們跟我一樣。”   在大漢,錢不值錢,值錢的是貨物,很多時候人們不願意接受錢這個誰都能隨便制造的東西。河北快3开奖结果查询   雲瑯低下身子拍拍小蟲的腦袋對丑庸道︰“帶她回去,我去看看。”福利彩票计划书   霍去病在砍人的時候知道區分那些事該死的,那些不是該死的,這就是一個極大的進步。   腳印是從山的另一側延伸過來的,難怪老虎沒有嗅到他的氣味。pc蛋蛋幸运28全包挂机   可是,他依舊感到艱難,後世的大漢族跟現在的大漢族一點可比性都沒有…… Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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