Big Thief

Two Hands

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  • 河北快3开奖河北快3走势图基本图河北快3和值跨度表森美控股控股股东认购债券与换股债为公司解困


      狗子干笑一聲道︰“這是您的弟妹蘭英,蘭喬,蘭喬懷里抱的就是您的小佷兒。”   好在劉徹還固守著最後的底線,那就是不加農業賦稅。河北快3开奖   如果雲氏燈不小心點燃了山火……那就太糟糕了。河北快3走势图基本图   “夕暉,夕暉,我本來就不喜歡這個喪氣倒霉的樓閣,天火燒掉正當其時。”   如今的上林苑,與大漢地方有著顯著地不同,他們對過上好日子的心情最為急迫。河北快3和值跨度表   霍光小心的來到師傅面前低聲道︰“如果……如果……如果以後錢莊遍及大漢州府,如果能把官府收上來的賦稅,也走錢莊路子……” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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