Big Thief

Two Hands

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      張開手,費力的從地上提起一塊金磚,霍去病問自己弟弟︰“你從哪來弄來這麼多的金子?”   劉陵搖頭道︰“我們不回去了。”河北快3和值跨度表   雲瑯搖頭道︰“甦武以我會出援兵解救大宛國為理由,給我們弄回來了這麼多的好東西,以及十六匹汗血馬,可謂勞苦功高,只是,他自己決定要去見劉陵,恐怕是一個不好的想法,應該說是一個非常壞的想法。他見了劉陵,恐怕不給匈奴人牧羊都不可能了。”河北快3开奖今天   甦稚終于停止了哭泣,她從未經歷過如此危險的時刻,就在剛才,劉陵那一刀剖下來的時候,劉陵的眼神陰冷,殘毒,她真的認為自己要死了。   宋喬嘟囔道︰“早知道這樣,還不如在長安當一個閑散侯爺呢。”河北快3开奖今天走势   劉據搖搖頭道︰“母親不再干政了,我想遙領西域屬地的目的無法達成。” Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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