Big Thief

Two Hands

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  • 河北快3今日开奖号码中国福利彩票河北快3河北快3开奖中石化中海油将在渤海湾北部湾等海域展开联合研究


      他們早就不能適合朝堂生活了,即便他將來被陛下封侯,那不過是他新生活的開始……   她覺得自己的大好年華不能完全耗在一個老者身上,所以,用銀壺裝食物給軍臣單于吃,已經變成她生活中不可缺少的一部分。河北快3今日开奖号码 中国福利彩票河北快3   距離白登山五里地之外,就是單于的王帳所在地,這里有匈奴為數不多的聚集地,名曰——武州塞。   如今的武州塞被匈奴人擠得滿滿當當,僅僅是一個王帳金狼軍三萬人,就佔據了這座城池一半的位置。河北快3开奖   雲瑯的親隨答應一聲,就跳下城牆直奔鐵索橋。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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