Big Thief

Two Hands

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  • 彩票计划神器pc蛋蛋幸运28 软件韩岳平民赛车计划工信部因骚扰电话管控不力约谈中国移动


      在長安忙碌了十一天,老奴回到莊子上的時候,再看那五萬錢,心思就變了。   明明可以正大光明在大太陽底下生活的人,為什麼要活在陰溝里?彩票计划神器   桑弘羊想了片刻,就重新來到雲瑯面前坐下來,拱手道︰“願聞其詳。”pc蛋蛋幸运28 软件   “你覺得雲瑯的做法真的沒有什麼問題嗎?”劉徹合上文書,眼楮依舊盯在文書上問桑弘羊。   張安世身穿麻衣腳蹬草鞋,坐在樹蔭下搖晃著草帽跟老農閑談。韩岳平民赛车计划   上林苑被閑置了十六年之久,這才開放不到五年,人口就已經逐漸變得稠密起來。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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