Big Thief

Two Hands

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  • 彩票图片彩票计划软件官网大乐透中奖彩票图片三部委: 扩大银行参与交易所债券市场范围


      巨大的石碑樹立起來的時候,天公作美,漫天的彤雲被狂風吹散,藍藍的天空終于出現了。   大漢以孝治國,雖然不符合雲瑯的世界觀,可是,這是大潮流,身在潮流中就只好隨波逐流了。彩票图片   接過兒子遞來的核桃一邊剝,一邊道︰“你害死你父親了。”彩票计划软件官网   霍去病道︰“霍一也就罷了,跟他母親一樣是個廢物,霍三我倒是很滿意,雖說蠢了一些,多少還有幾分我的風采,你對霍三也不滿意?”   沒有這種默片一樣的舞蹈打擾,雲瑯就把注意力放在 里啪啦作響的火堆上,酒喝完了,就抱著膝蓋來回搖晃,等待曹襄作出應答。大乐透中奖彩票图片   很多時候,我們三人也有錯。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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