Big Thief

Two Hands

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  • 大乐透中奖彩票图片dnf幸运28赌博群彩票计划软件下载直击|小红书组织升级:涉5方面 原社区电商变品牌号


    ? 同上,第 366 頁。 大乐透中奖彩票图片 dnf幸运28赌博群 輕易地就把“沒錯”這兩個字說出口。看到他們這種落拓不羈、連嘲帶諷的 好奇心,我感到一陣無邊的惡心。我覺得,要在這咖啡館的茶桌旁解釋我自 己內心深處都沒法弄清楚的事情該是多麼荒謬。于是我不加深思熟慮,便惱 火地擋了回去︰ ? 見本書第 297 頁注。彩票计划软件下载 使然。很難說誰是完美無缺的正面人物,誰是陰險狡詐的反面角色。茨威格 讓我們看到,寫小說並不是非要捏出一個天使、一個惡魔不可。那種非黑即 白的狀況在生活中並不存在,在小說中也大可不必。那樣的典型描寫頗有臉 譜化公式化之嫌。茨威格對艾迪特是傾注了滿腔同情的。他把這個受到命運 殘酷打擊、惡意播弄的姑娘寫成一個天真無邪、美麗可愛的少女,但是保留 著高傲、任性等貴族小姐的特色,稍不順心便大發脾氣,因此在霍夫米勒悔 婚之後,她才會痛不欲生,憤而自盡。但是在茨威格的筆下,霍夫米勒也並 沒有被寫成天生的惡棍,恣意玩弄女性的感情。他有正義的沖動、行善的願 望,在軍官階層中應該說還是個佼佼者,所以被人看成“奇人”,俠義的少 年,高尚的善人,而且對艾迪特除了同情之外,也確有幾分真摯的柔情。然 而他意志薄弱,優柔寡斷,瞻前顧後,顧慮重重,經過幾番動搖彷徨,最後 訂婚、悔婚,決定自殺,匆匆出走,抱恨終天。這一切都是出于性格上的弱 點而不是由于邪惡的動機。本來,人是社會的動物,不能要求人不受環境、 不受社會輿論、不受階級成見的影響而單憑自己的感情行事。這就產生了許 多悲劇,有的是因為屈服于社會輿論而遺恨終生,有的則是因為反抗社會輿 論而遭到不幸。茨威格在這里讓我們看到,外界的影響如何激起主人公心里 洶涌的波濤,內心的潮漲潮落如何左右主人公感情的起伏、行動的進退,心 靈的危機如何最終鑄成這一對青年男女的悲劇命運。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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