Big Thief

Two Hands

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  • 一分赛车计划软件时时彩彩票计划软件彩票计划群里都是托吗受台风“利奇马”外围云系影响 北京今天局地暴雨

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    傅雷攝影作品 罩住了離人游魂。一分赛车计划软件 时时彩彩票计划软件 這一節,巴爾扎克連用六個emporta作藝術渲染。此種修辭法能強調、突出文章某一內容。原文中的修辭手段,如果直譯,在譯文中也能收到同樣的修辭效果,翻譯時當盡量照搬。要是直譯收不到同樣效果,甚至使譯文糟糕得讀來不順口了,就得改換譯法。巴爾扎克這段文字直譯成中文,看來行不通。傅雷另闢蹊徑,略去了四個人稱代詞“il”(他);“emporta”(帶來了)也多用不同譯法,其中有一個干脆不譯,與上文“還有風行的各式硬領……最講究的內衣”一句一氣呵成,把原著的神韻再現了出來。彩票计划群里都是托吗 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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